Works by the four Dallas-area artists - Tony Bones, Sergio Garcia, Mark S. “When you’re dealing with quality graffiti, artists use a lot of aesthetic thoughtfulness, and we’re highlighting that inherent thoughtfulness using four artists as examples by showcasing their gallery work.” “Graffiti artists aren’t just a bunch of hoodlum vandals,” DeCuir said. The exhibition explores the difference between street graffiti and a more practiced, evolved kind of graffiti-inspired gallery art, said Victoria DeCuir, assistant director of the UNT Art Gallery, organizer of the exhibition and a former graffiti artist herself. The UNT College of Visual Arts and Design presents Graff, Tag and Bomb: The Influence of Graffiti, an exhibition that shows how street art influences gallery art. Professional artists are incorporating the techniques and look of graffiti in their gallery artwork, as seen this March in a University of North Texas art exhibition that will include a group of Oak Cliff-based graffiti artists creating an outdoor mural. March 10 (Tuesday) and “Bomb the System” March 24 (Tuesday) at the Visual Resource Center, Room 224 in the UNT Art BuildingĬontact: UNT Art Gallery at (940) 565-4005 or visit DENTON (UNT), Texas - Graffiti doesn’t just exist in shadowy underpasses and on sides of buildings. March 3 (Tuesday) in the UNT Art Gallery.įilm and discussion: “Bomb It”, 6 p.m. Opening reception featuring disc jockey Juan Solo: 4:30 p.m. When/Where: Exhibition dates: March 3 (Tuesday) – March 28 (Saturday) in the UNT Art Gallery in the UNT Art Building, one block west of Mulberry and Welch streets. Sour Grapes, a group of Oak Cliff-based graffiti artists, will create a graffiti mural outside the UNT Art Building as part of the exhibition. What: Graff, Tag and Bomb: The Influence of Graffiti - An exhibition of graffiti-influenced art presented by the University of North Texas College of Visual Arts and Design. Graffiti is now sometimes big business.Graffiti inspires works in upcoming exhibitionīomb It! will be showing at the upcoming graffiti exhibition at the University of North Texas at 6 p.m., March 10, in the Visual Resource Center, Room 224 in the UNT Art Building. Works by Banksy have been sold for over £100,000. The Frenchman Blek le Rat and the British artist Banksy have achieved international fame by producing complex works with stencils, often making political or humorous points. Jean-Michel Basquiat began spraying on the street in the 1970s before becoming a respected artist in the ’80s. ‘Your freedom of expression ends where my property begins.’ On the other hand, Felix, a member of the Berlin-based group Reclaim Your City, says that artists are reclaiming cities for the public from advertisers, and that graffiti represents freedom and makes cities more vibrant.įor decades graffiti has been a springboard to international fame for a few. ‘I have a message for the graffiti vandals out there,’ he said recently. Peter Vallone, a New York city councillor, thinks that graffiti done with permission can be art, but if it is on someone else’s property it becomes a crime. The debate over whether graffiti is art or vandalism is still going on. By the 1980s it became much harder to write on subway trains without being caught, and instead many of the more established graffiti artists began using roofs of buildings or canvases. But at the same time that it began to be regarded as an art form, John Lindsay, the then mayor of New York, declared the first war on graffiti. Art galleries in New York began buying graffiti in the early seventies. They worked in groups called ‘crews’, and called what they did ‘writing’ – the term ‘graffiti’ was first used by The New York Times and the novelist Norman Mailer. In the early days, the ‘taggers’ were part of street gangs who were concerned with marking their territory. In the mid seventies it was sometimes hard to see out of a subway car window, because the trains were completely covered in spray paintings known as ‘masterpieces’. The new art form really took off in the 1970s, when people began writing their names, or ‘tags’, on buildings all over the city. Modern graffiti seems to have appeared in Philadelphia in the early 1960s, and by the late sixties it had reached New York. Later the Ancient Romans and Greeks wrote their names and protest poems on buildings. The first drawings on walls appeared in caves thousands of years ago.
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